000			02067cam a22002058i 4500
020			_a9781107177055 (hardback)
082	0	0	_a820.938 23 _bSAR/S
100	1		_aSarah Elliott Novacich
245	1	0	_aShaping the archive in late medieval England: _bhistory, poetry, and performance / _cby Sarah Elliott Novacich
260			_aNew Delhi: _bCambridge, _c2017.
300			_a214p.
490	0		_aCambridge studies in Medieval literature ;
520			_a"Sarah Elliott Novacich explores how medieval thinkers pondered the ethics and pleasures of the archive. She traces three episodes of sacred history - the loss of Eden, the loading of Noah's ark, and the Harrowing of Hell - across works of poetry, performance records, and iconography in order to demonstrate how medieval artists turned to sacred history to think through aspects of cultural transmission. Performances of the loss of Eden blur the relationship between original and record; stories of Noah's ark foreground the difficulty of compiling inventories; and engagements with the Harrowing of Hell suggest the impossibility of separating the past from the present. Reading Middle English plays alongside chronicles, poetry, and works of visual art, Shaping the Archive in Late Medieval England considers how poetic form, staging logistics, and the status of performance all contribute to our understanding of the ways in which medieval thinkers imagined the archive"--
520			_a"This series of critical books seeks to cover the whole area of literature written in the major medieval languages - the main European vernaculars, and medieval Latin and Greek - during the period c.1100-1500. Its chief aim is to publish and stimulate fresh scholarship and criticism on medieval literature, special emphasis being placed on understanding major works of poetry, prose, and drama in relation to the contemporary culture and learning which fostered them"--
650		0	_aReligion in Literature
650		0	_aChristianity and literature
650		0	_aLiterature English
650		0	_aLiterature
942			_cBK
999			_c68737 _d68737