Fashioning a national art: (Record no. 68177)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02051cam a22002057i 4500 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| ISBN | 9780199466849 |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 709.547 509 034 |
| Item number | PRI/F |
| 100 1# - MAIN ENTRY--AUTHOR NAME | |
| Personal name | Priya Maholay-Jaradi |
| 245 10 - TITLE STATEMENT | |
| Title | Fashioning a national art: |
| Sub Title | Baroda's royal collection and art institutions (1875-1924)/ |
| Statement of responsibility, etc | by Priya Maholay-Jaradi |
| 246 30 - VARYING FORM OF TITLE | |
| Title proper/short title | Baroda's royal collection and art institutions (1875-1924) |
| 250 ## - EDITION STATEMENT | |
| Edition statement | First edition. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication | New Delhi: |
| Name of publisher | Oxford University Press, |
| Year of publication | 2016. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Number of Pages | xlv, 304 pages : |
| Other physical details | illustrations ; |
| 520 8# - SUMMARY, ETC. | |
| Summary, etc | This book is about how the Baroda Palace Collection came into being under its patron-collector Maharaja Sayajirao Gaekwad III. It throws light on Sayajirao's private collecting practice that shaped Baroda's modern art and craft institutions and industries. Taking rare archival records from 1875 as its point of departure, the work demonstrates how the Maharaja's private collecting practice and its egalitarian ideas both shaped and participated in the institutional, industrial, and commercial realms within Baroda, India, and Euro-America. For the first time, a native prince emerged simultaneously as an exemplar of international collecting, an arbiter of taste and value, and a spokesperson and strategist for a colonized India's national concerns. The book sheds light on numerous elite and subaltern plots: the role of Dewan T.0Madhavarao and other state officials as resource persons and advisors; a significant oil portraitist Tiroovengada Naidu, who preceded Raja Ravi Varma at Baroda; numerous contracts between European and native painters and sculptors; ivory craftsman, Neelakandan Asari; establishment of Baroda's premier polytechnic, Kalabhavan and the Nazarpaga and State Furniture Works; 'star pieces' on the exhibitions' trail such as the Baroda Screen and Baroda Balcony, select luxury goods inspired by Baroda designs and exhaustive loans' inventories for exhibitions. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical Term | Art Museum Baroda |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical Term | Art Collection India |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical Term | Arts India |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical Term | Arts |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Book |
| Withdrawn status | Lost status | Damaged status | Not for loan | Permanent Location | Current Location | Shelving location | Date acquired | Cost, normal purchase price | Full call number | Accession Number | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Sree Sankaracharya University of Sanskrit | Sree Sankaracharya University of Sanskrit | Stacks | 19.10.2017 | 1295.00 | 709.547 509 034 PRI/F | 085475 | 19.10.2017 | Book | ||||
| Sree Sankaracharya University of Sanskrit | Sree Sankaracharya University of Sanskrit | Stacks | 30.01.2018 | 1295.00 | 709.547 509 034 PRI/F | 087250 | 30.01.2018 | Book |